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WRITING CENTER PHILOSOPHY

Understanding the Role and Purpose of Writing Centers

Although writing centers have been around for thirty or more years, academians still struggle to understand the essential role and purpose of these tutoring centers; students and faculty alike tend to think of the center as a place limited to remediation because there is not a clear understanding of the tutorial instruction and methodology that is implemented in these centers. In other words, the writing center is perceived as a place where only bad writers go to learn how to write, and it is the responsibility of the writing center to perfect students’ grammar skills so that afterwards, they return to the classroom as “better writers” and faculty members can then grade students’ essays without having to worry about certain problems.

Since this concept is so common, it is important to understand where this idea originated. The majority of collegiate-level writing centers were created in reaction to the 1970’s “literacy crisis” and the subsequent “back-to-basics” movement in academics.  “Initially conceived as a means of providing supplementary instruction for inadequately prepared students, writing centers were too often viewed from the outside as little more than remedial services or fix it clinics where students memorized comma rules and mended fragments.” This fix it shop mentality, unfortunately, still prevails in some academic settings. Thus, the question of “what is the purpose and role of a writing center” remains unanswered.

Purpose of Writing Centers

The Baylor Writing Center Tutor Guidebook defines a writing center as a “beyond-the-classroom space where students can explore confusing or challenging educational issues through dialogic relationships.” In other words, a writing center is a place for conversation and dialogue.  This means that a writing center is not a place for monologues or one-sided instruction. Tutors do not take on the role of professor or expert, meaning that tutors do not edit, correct, or tell students how to “fix” their papers. Rather, writing centers are founded on the idea that tutors and students work collaboratively through open communication to discover effective writing strategies and approaches to reading and writing that are particularly useful to the individual student.

Writing centers are not tutor focused; they are student-centered. They seek to enhance students’ self-worth and confidence by working within non-evaluative relationships of trust. We believe that absence of evaluation by the tutors allows the students to express concerns and doubts, take risks, draw on personal resources and knowledge, and make choices about their work. This approach is a useful strategy that creates a low-risk environment that promotes student self-confidence and autonomy, and, more importantly, can serve students throughout their education and beyond as they enter the workforce. It also helps students become confident writers and better writers over time.

Role of Writing Centers

Through these practices, writing centers aim to change student perspectives on writing and our centers.  Because writing centers tend to focus on the individual student more than a single paper and seek to tackle big problems (higher-order concerns such as voice, organization, content) before little ones (lower-order concerns such as grammar, citation), a student’s attitude towards writing shifts. They become more aware and comfortable with the writing process as a whole (brainstorming, analysis, drafts, revisions, etc.) and begin to develop the fundamental skills required to write for any discipline. Additionally, students and faculty alike realize that writing centers are not an editing “day-care” service—we do not correct students’ papers from start to finish, we do not correct every error, we do not let students drop off their papers and expect these types of services, we do not support the mentality that a visit to our center will yield a perfected paper, and we firmly reject the notion that our center is a place where bad writers come to be better writers.

Conclusion

Writing centers have come a long way since the 1970’s—we went from “fix-it” shops to creating our own theory, rhetoric, and discussion about writing centers. Each writing center is different and unique, but we all have the same core values and responsibilities. We embrace the idea that no matter what level of writing our students are at when they come into our centers, it is our duty to look beyond the students’ “lack of preparation” and meet students wherever they are in their learning. Our mission as administrators, professors, and tutors, is to work with our students to move forward. We must continue to make progress so that our students can arrive at a place of success, satisfaction, retention, and understanding.

References:

International Writing Centers Association. (n.d.) Writing Center Concept. (Originally produced by Muriel Harris and published by The National Council of Teachers of English in 1988.) Retrieved from http://writingcenters.org/resources/writing-center-concept/

Penti, M. E. (2007). Baylor School Writing Tutor Manual. Retrieved from
http://mail.baylorschool.org/~cowens/writingcenter/Baylor%20School%20Writing%20Tutor%20Manual.pd

https://learning.untdallas.edu

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Tips To Boost Your Creativity

Creativity involves looking at issues from different perspectives, connecting and merging concepts, and questioning traditional assumptions. This skill isn’t limited to writers, musicians, or artists; it’s a valuable skill for all kinds of people. Creativity is akin to a muscle, so you must exercise it regularly. And that involves stretching and challenging it every day. Here are 8 surefire tips to boost your creativity.

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100 Years Foreign Language Education at the UNWE – with View to the Future

Jubilee Scientific Practical Conference with International Participation: 100 Years of Foreign Language Education at the UNWE – with View to the Future organized by the Foreigh Languages and Applied Linguistics Department under the patronage of the Rector of UNWE

Begins: Friday, 30 October 2020

Ends: Saturday, 31 October 2020

Location: UNWE

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QS Subject Focus Summit 2020 “Languages and Migration in a Globalized World”

RUDN University

Institute of Modern Languages, Intercultural Communication and Migration

QS Quacquarelli Symonds

invites you to participate in the world’s first co-organized summit on the subject areas “Modern languages” and “Linguistics”

QS Subject Focus Summit 2020 “Languages and Migration in a Globalized World”

December 15-17, 2020 (online)

The summit will bring together 300 of the world’s leading experts in the field of linguistic education and science-researchers, managers of higher education, academics, and consultants in the field of linguistics.

Leading scientists from Australia, France, the USA, Japan, Germany, Italy, Qatar, Oman, Algeria, Finland, China, Mexico, UK, Spain, and Russia have already confirmed their participation as key speakers of the summit.

The summit will focus on the following areas:

Modern linguistics: problems and solutions

Communication, identity, national minorities, migration

Languages and cultures: teaching and learning

Summit language: English

All participants receive a QS–RUDN Summit certificate

Forms of participation in the summit:

  • Participation without publication
  • Participation with publication

Main dates:

  • Registration (online) – until December 10, 2020 (inclusive)

Registration for the summit is available at the link: https://qssubjectfocus.com/moscow-2020/registration/

  • Submission of abstracts – until November 15, 2020 (inclusive)

The collection of reports will be published in the RSCI.

The best reports will be published in the Russian Journal of Linguistics”(Scopus Q2).

The registration fee for participation in the summit is:

–          $ 150 for delegates from the following countries (see the list of countries at the link https://data.worldbank.org/income-level/lower-middleincome).

–          $ 250 for other delegates.

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2020 NCTE Virtual Annual Convention

Are You Ready for a Dynamic 2020 Virtual Convention Experience?
The 2020 NCTE Virtual Annual Convention will provide exciting opportunities to bring the NCTE community together to engage in dynamic professional development programming, discover ways to connect, and network with other educators. We’ll feature 76 live, 56 scheduled, and 266 on-demand sessions—and if you miss one you can still access it for 60 days afterwards.

You’ll have a front-row seat for our General Sessions, Keynote Speakers, and Luncheon Presentations, including Trevor Noah, who will be kicking off the Opening General Session on Thursday, November 19, in “A Conversation with Trevor Noah.”

You’ll discover opportunities to customize your professional development and hear from fabulous authors, poets, and leaders whose work serves to support and motivate teachers across the country. In addition, our virtual exhibit hall lets you visit booths, see demos, enter giveaways, and experience live events with prominent authors. We’ll also provide inspiration for building classroom libraries with Build Your Stack®—unique sessions where authors and educators talk about using their favorite books in class.

Don’t delay—early bird registration ends October 31. Learn more and register for #NCTE20 today!

Presenter Tips & Office Hours: To prepare for the Virtual Convention, please see our updated Presenter Tips. We’ll also be holding office hours at four different times to give you a chance to ask us questions about the Convention and your presentation. We do need to know who is presenting, so please email annual2020@ncte.org to accept or decline your invitation no later than 8:00 a.m. ET, Monday, October 19.

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How Screenwriters Can Handle Rejection?

Let’s face it: Rejection is a part of life, and there’s no way you can escape it, no matter how old you are. And for screenwriters, rejection can be crippling at times.

Countless screenwriters want to turn their scripts into movies and TV shows; they want to make a living by writing and selling scripts. So, with the expectation of putting scripts to film, they begin to realize that there tends to be only a few slots for Hollywood to fill. And, with a few slots to fill, screenwriters will become fearful of rejection.

But why?

As we explore this mental health issue a bit further, we’ll also discover how screenwriters can combat these negative feelings of sending a script out only to be rejected. And although rejection can hurt at first, we hope that writers can find it in their hearts to cope with the possibility of rejection and learn from their experience.

Continue reading How Screenwriters Can Handle Rejection?

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5 Tips to Write Correct and Easy to Perceive

Writing correctly and clearly is an important part of learning basic professional skills that you can later use anywhere. If you are not easily understood by your reader, it will be quite hard for you to establish an online presence or build any online relationships. However, in this era where the online environment is taking over, writing effectively is one of the biggest assets you could develop. From writing e-mails to official letters or even essays, you should be preparing yourself for what is to come. Here is a guide on how to write correctly and efficiently and how to improve yourself on this subject.

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How to Write Without Muse?

Writer’s block is one of the greatest challenges that most writers around the world face. It doesn’t matter if you write blog posts or American Novels. Writer’s block not only lowers your self-confidence but also steals your writing motivation. So, how do you write when it’s so hard to get going? In this article, we are going to share with you a few simple tips that will help you keep on keeping on. But first, let’s find out what a muse is.

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